"Music of the Nintendo Entertainment System: Form, Technique, and Style," Ph.D. dissertation, Yale University, 2018

"Expectation Modules and Listener Fatigue in Koji Kondo's Super Mario Bros. (1985)," paper presented at the Society for Music Theory Annual Meeting, Arlington, 2017

Review of Sound Play: Video Games and the Musical Imagination, by William Cheng, Journal of Popular Music Studies 28, no. 4 (December 2016): 493–94

"Taming the Atari 2600," paper presented at the Society for Music Theory Annual Meeting, Vancouver, November 2016

"Reinventing the Prelude & Fugue: A Teaching Tool for the Twenty-first Century," Clavier Companion 7, no. 3 (May/June 2015)

"'No, no, it's a symphony, a symphony': A Hermeneutic Analysis of Shostakovich's Twelfth String Quartet, Op. 133," DSCH Journal 41 (July 2014)

"A Case for History and Theory in the Practice Room," Clavier Companion 6, no. 3 (May/June 2014)

"Shostakovich's Sonata Forms and the Piano Sonata in B minor, Op. 67," DSCH Journal 38 (January 2013)

"A Study of Thematic Introduction in Beethoven's Music," MA thesis, McGill University, 2011

"The Role of Pan-Triadic Theory in a Form-Functional Reading of Brahms's Piano Music," 2011

"The Fox and the Grapes: A response to Nicholas Cook's 'Theorizing Musical Meaning'," 2011

"Reconstructing Brahms: The Importance of Music Theory in Nineteenth-Century Performance Practice," 2010

"Formal Functions in the Keyboard Sonatas of Domenico Alberti," 2009