"From Theory to Practice: How to Compose a Sentence," in The Routledge Companion to Music Theory Pedagogy, ed. Leigh VanHandel (New York: Routledge, 2020)

"Hirokazu Tanaka's Metroid (1986)," in 33 1/3: The B-Sides (New York: Bloomsbury, 2019)

"Music of the Nintendo Entertainment System: Form, Technique, and Style," Ph.D. dissertation, Yale University, 2018

"A Little Gem of Light: Harmony and Motive in Shostakovich's op. 5, no. 1," DSCH Journal 48 (January 2018): 27–28

"Expectation Modules and Listener Fatigue in Koji Kondo's Super Mario Bros. (1985)," paper presented at the Society for Music Theory Annual Meeting, Arlington, 2017

Review of Sound Play: Video Games and the Musical Imagination, by William Cheng, Journal of Popular Music Studies 28, no. 4 (December 2016): 493–94

"Taming the Atari 2600," paper presented at the Society for Music Theory Annual Meeting, Vancouver, November 2016

"Reinventing the Prelude & Fugue: A Teaching Tool for the Twenty-first Century," Clavier Companion 7, no. 3 (May/June 2015): 42–47

"Wunderkind? Craftsmanship in Shostakovich's Prelude in A minor," DSCH Journal 42 (January 2015): 34–36

"'No, no, it's a symphony, a symphony': A Hermeneutic Analysis of Shostakovich's Twelfth String Quartet, Op. 133," DSCH Journal 41 (July 2014): 7–14

"A Case for History and Theory in the Practice Room," Clavier Companion 6, no. 3 (May/June 2014): 48–51

"Shostakovich's Sonata Forms and the Piano Sonata in B minor, Op. 67," DSCH Journal 38 (January 2013): 32–26

"A Study of Thematic Introduction in Beethoven's Music," MA thesis, McGill University, 2011